DAL CAOS ALLA RIPRESANel Quattrocento la struttura di Roma si trasforma radicalmente.
Molti storici dell’arte sostengono che il Rinascimento sia cominciato a Firenze con la riscoperta della poesia latina e greca, e che solo in seguito si sia esteso alle arti visive. Papa Martino V Colonna (1417 - 31), con il suo ambizioso programma di ricostruzione degli edifici dell’antica Roma e delle chiese dei primi secoli del Cristianesimo, è considerato l’iniziatore del Rinascimento romano. La cultura umanistica esce dalla ristretta cerchia di artisti e letterati: attraverso l'architettura, le opere d'arte e le nuove idee della "città ideale", l'umanesimo finisce per conquistare gli stessi ambienti ecclesiastici sino ai papi che chiamano a Roma i più grandi artisti.
1447 - 1455 - Diventa papa Niccolò V
Parentucelli. E' il primo vero papa umanista.
Egli avvia un vasto programma di revisione urbanistica in base al quale fa
demolire la vecchia basilica petriana e affida al Rossellino il
compito di costruirne una nuova. Leon Battista Alberti inizia la
costruzione dei Palazzi
Vaticani, vengono quindi ristrutturati i borghi e si edifica il
nuovo Palazzo
dei Conservatori sulla piazza capitolina. In questa pagina:
Narni: stemma di Papa Bonifacio IX sulla torre più alta della fortezza During the Great Schism the popes had little time and resources to devote to the development of Rome: Pope Urban VI spent many years in Naples and other towns of that region under the protection of the King of Naples; Pope Boniface IX managed to reside in Rome where he strengthened Castel Sant'Angelo and he built a tall tower to protect Palazzo Senatorio. He also took care of improving the fortresses which controlled the access to Rome: his coat of arms can be seen on the tallest tower of the fortress of Narni. Il Concilio di Costanza Nel 1406, dopo la morte di Papa Bonifacio IX e il breve pontificato di Papa Innocenzo VII, i cardinali prima di entrare in conclave stabilirono che il nuovo eletto should commit to abdicate if the Avignon pope did the same with the aim of paving the way to the end of the schism. They elected Pope Gregory XII, aged 83, who initially acted to find an agreement with his opponent; the members of his family however put pressure on him to delay his abdication. Negotiations between the two parties dragged on inconclusively for some time until a group of cardinals (and bishops) both from Rome and Avignon met in 1409 in Pisa and declared that both Pope Gregory XII and (Anti)Pope Benedict XIII were deposed. Although the cardinals had the support of many kings the Pope they elected (Alexander V) did not achieve a general consensus: so the purpose of the so-called Council of Pisa was not met and the confusion increased with three popes claiming to be the legitimate successor of St. Peter. Pope Alexander V passed away in 1410 most likely poisoned by Cardinal Baldassarre Cossa who arranged a hasty conclave which appointed him Pope John XXIII (Note: while Pope Alexander V was considered a legitimate pope by Cardinal Borgia who at his election in 1492 became Pope Alexander VI, the same did not occur to Pope John XXIII in 1958 when the elected pope (Cardinal Angelo Roncalli) chose to call himself Pope John XXIII, by this meaning that his predecessor by the same name had not been a legitimate pope). In 1413 the German emperor Sigismund of Luxemburg took the initiative to convene an ecumenical council in the town of Constance in southern Germany: the invitation was not limited to the cardinals, but was extended to bishops and representatives of the monastic orders as well as to representatives of the five European nations: Germany, England, France, Italy and Iberia: the Council can be regarded as a forerunner of the great European conferences of Westphalia (1648), Aix-la-Chapelle (1748) and Vienna (1815). The Council opened in November 1414 and on July 1415 it was authorized by Pope Gregory XII, who at the same time resigned from the papal throne. The Council forced the other two contenders to resign; the assembly chose to delay the election of a new pope until it had reviewed many aspects of the roles and authorities of the pope, the cardinals, the bishops and the ecumenical council, including the financial aspects of the ecclesiastical activity.
(left) Palazzo - Gesta Pontificum Romanorum - portrait of the Pisan Pope John XXIII: the book (published in 1688) included John XXIII among the legitimate popes although with some doubts about the right number to be associated with him which ranged from XXI to XXIV; (right) coat of arms of Pope Gregory XII in the Cathedral of Recanati: the coat of arms is that of a cardinal, because when he died he was no longer a pope Terra di vacai (land of cowherds) were the words used by the Florentines to define Rome in the early XVth century with a reference to the cattle and goats which grazed in Campo Vaccino and Monte Caprino. There was an enormous difference between the economic and cultural situation of Milan, Venice, Florence and other Italian towns and that of Rome, where the rival popes sought the support of mercenary troops or that of the King of Naples, so that the city was pillaged in 1413 and 1417 by Neapolitan troops. Papa Martino V The Council of Constanza alla fine elected a new pope through a very special conclave composed of 23 cardinals and 6 representatives for each of the five nations participating in the council: the choice fell on Cardinal Oddone Colonna, a member of a very important Roman family. He chose to be called Martin V and he chaired the final sessions of the council: he had to accept several limitations to the papal authority and to promise to convene another council in 1423: both Emperor Sigismund and Charles VI, King of France asked him to reside in their countries, but Pope Martin V felt he had to return to Rome; he did so in 1420 after having ensured the appropriate political and military alliances. The fact of belonging to a powerful family gave him the strength to rule without the interested help of kings and emperors and he also managed to control the inconclusive outcome of the council held in Siena in 1423-24. He took however the commitment to convene another council in 1431 in Basel.
(sopra) S. Lorenzo in Miranda: XVIIIth century mass pricelist (on the right the coat of arms di Papa Martino V); (sotto) S. Maria sopra Minerva tablet recording the 1422 flood of the Tiber (in the year 1422 on the day of St. Andrew the water of the Tiber reached the top of this tablet: placed by Pope Martin V in the VIth year of his pontificate) Pope Martin V is regarded by some historians as the founder of modern Rome. He called a Jubilee year in 1423 to celebrate the end of the schism and to provide Rome with an opportunity to restart its economic and artistic development. The pope had sojourned for more than a year in Florence and he invited several Florentine artists to visit Rome: among them Masaccio and Masolino who painted a large polyptych (an altarpiece consisting of more than three panels) depicting the Miracolo della Neve in S. Maria Maggiore (now the panels can be seen in museums in London, Philadelphia and Naples). Frescoes by Masolino can be seen in S. Clemente. Pope Martin V restored many churches and in particular S. Giovanni in Laterano (the pavement) where he chose to be buried. He also took care of more practical aspects of an effective administration of Rome. By entrusting to the guild of the Speziali (pharmacists) the care of S. Lorenzo in Miranda he started a process through which many churches were taken care of by associations of private citizens thus contributing to their maintenance and embellishment. After almost a thousand years he reintroduced the magistri viarum, who were in charge of policing the streets of Rome, a first step towards a more effective town planning activity. Even the first modern recording of the Tiber floods is due to the action of this pope. Pope Eugenius IV and the Council of Florence Pope Martin V died in 1431 when the Council of Basel was about to start: the fourteen cardinals who were in Rome hastened to elect his successor, maybe to avoid a repetition of the 1417 conclave to which also lay representatives of the Christian nations took part. The cardinals agreed that the future pope would not take important decisions without their agreement; they then elected Cardinal Gabriele Condulmer, a nephew of Pope Gregory XII, who chose to be called Eugenius IV. His first acts were aimed at reducing the influence of the Colonna family; he then dissolved the Council of Basel just four days after its opening, causing the reaction of most of the participants who went along with their proceedings and declared that the Council authority was superior to the papal one. Only the intervention of Emperor Sigismund avoided another schism and eventually Pope Eugenius accepted that the Council continued. In return Sigismund was crowned emperor on May 31, 1433 in St. Peter's. After Sigismund returned to Germany the position of Pope Eugenius IV in Rome became so weak that he was forced to flee to Florence where he placed his residence in the convent next to S. Maria Novella. In 1438 he tried to close the Council of Basel by convening another one in Ferrara; this council, due to a pestilence, was moved to Florence where the pope was able to directly supervise its work: at the council an agreement was reached with the Orthodox church to put an end to the schism which had started in 1054. A delegation led by the Byzantine Emperor John VIII attended the council: the Florentines were very impressed by the luxury of the imperial retinue. Pope Eugenius IV reached agreements with other eastern churches; notwithstanding the fact that the Council of Basel had elected another pope, Pope Eugenius IV, through these agreements, gained such an authority that in 1443 he was able to return to Rome.
Papa
Eugenius IV commissioned a new bronze door for S. Pietro to Antonio
Averlino known as il Filarete, a young Florentine sculptor who is
mainly known for his later activity as an architect in Milan. Filarete had
most likely worked with Lorenzo Ghiberti whose eastern door of the
Baptistery of Florence (according to Michelangelo) was fit to be that of
Heaven (Porta del Paradiso).
Filarete portrayed himself in two small
medallions and his assistants in a bronze panel placed in the lower part
of the inner side of the door. The seven men are dancing for the joy of
having completed such a complex work: the dance is led by Filarete's chief
assistant: they all hold their tools and next to each of them we can read
their names: in this door the spirit of Renaissance, with its focus on the
human being, made its first Roman appearance.
The primacy of new S. Pietro over all the
other churches is made evident by bronze stars placed in the pavement of
the basilica marking the length of the largest churches in the world (the
measures are taken from the apse of the basilica) . Florentina
Metropolitana indicates S. Maria del Fiore, the benchmark for the
construction of S. Pietro (another star closer to the entrance marks the
greater length of London's St Paul's Cathedral, which was built towards
the end of the XVIIth century).
Papa Niccolò V had an ambitious plan to enable
Rome to close the gap with the more advanced cities of central and
northern Italy: he justified this objective by saying that the people
could only understand the greatness of the Lord from the monuments
celebrating his glory. His plan was based on five points: |